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The
New School University Dr.
Patricia Simko ................................... |
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Click
the class for description Instructor: Patricia
A. Simko, Ph.D., J.D. Course
NPSY 3839 Class Overview: In this 15-week class, we explore the psychological theories of creativity: the origins in the human psyche of the creative process, the factors that contribute to the expression and development of creativity, the psychodynamic correlates of creativity such as fantasy, the unconscious, primary process, ego functioning. We explore theories of creativity from various sources – Koestler, Freud, Jung, Kohut, Maslow, Csikszentmihalyi and others. Along the way, we encounter concepts such as genius, self-actualization, the flow. We also look at brain activity and its association to the creative process, an exploration made possible by recent technological advances. Finally, we explore the often posited associations between mental illness – especially bipolar disorder – and creativity. In addition, there are countless exercises during the class using our own creative process as it applies to the theories we are studying. With all of this, we manage to have a very good time! Class Requirements: Much of the important learning of this material takes place in the classroom. Therefore, students are expected to attend all classes. The New School adheres to a Zero Tolerance Policy regarding absences and requires all credit students to attend every class. Any unexplained absence or tardiness will adversely affect your grade and will result in a lower grade. There are many handouts for this class, so please arrange for a “buddy” to pick them up for you if you are not here. I will not be carrying handouts from week to week, so you must make arrangements with classmates if you miss a class. If you need help finding a buddy, let me know and I will help you connect with someone. Your grade will be determined as follows: • Class
participation and attendance: 20%. Students
should come to class ON TIME and having read the assigned reading. Assignments must be turned in on the due date. These dates will be announces at the beginning of the semester. All written assignments must be hard copy, typed and double spaced. No email submissions will be accepted. READINGS: There is an extensive bibliography for this class, which is attached. Over 50 books have been used in the development of this class – only some of them will be assigned. The required books are all available in paperback editions. We will discuss the bibliography and the assigned readings in the first session. Required reading: Arieti, Silvano (1976) "Creativity: The Magic Synthesis" New York: BasicBooks, ISBN 0-465-01443-7. Csikszentmihaly, Mihaly (1990) "Flow: The Psychology of Optional Experience" New York: Harper & Row, ISBN 0-06-016253-8. ----(1996) "Creativity: Flow & the Psychology of Discovery & Invention" New York: Harper Collins, ISBN 0-06-017133-2. Koestler, Arthur (1964) "The Act of Creation" Hutchison of London. Morrison, Andrew (1989) "Shame, The Underside of Narcissism" New Jersey: The Analytical Press, ISBN 0-88163-082-9. Sternberg, Robert (1998) "The Nature of Creativity" Cambridge University Press, ISBN 0-521-33892-1. Weisberg, Robert W. (1993) "Creativity: Beyond the Myth of Genius" New York: W.H. Freeman, ISBN 0-7167-2367-0. Wise, Anna (1997) "The High Performance Mind" New York: Tarcher/Putnam, ISBN 0-87477-850-6. Recommended readings will be listed throughout the semester. Classes: Week 1: Introduction to the theories of creativity. Creativity as product, process, trait. Measuring creativity. Self as source. The stages of the creative process. Weeks 2-3: The role of fantasy, the unconscious, primary process. Accessing the unconscious wellspring. The relationship between creativity and intelligence. Freud, Kohut and psychodynamic theoreticians. The role of ego functioning and creativity. Weeks 4-5: Jung’s contributions to the theories of creativity. Intuition, synchronicity, archetypes. Other modalities for accessing the unconscious. Visualization, hypnosis and other tools. Weeks 6-7: The Creative Personality. Questions of nature v. nurture. Identity issues. Personality characteristics and behaviors. Arieti. Weeks 8-9: Family dynamics, Sociological dynamics and creativity. Blocks to creativity; fostering and cultivating creativity. Culture and creativity. Arieti. Weeks 10-11: Cognition and creativity. Creative problem solving. Characteristics of creative thinking. Convergent and divergent thinking. Lateral thinking. Symbolic equivalents. Shame. Sternberg, Morrison. Week 12: Analogic transfer, humor. Self-actualization and experiences of the flow. Maslow, Csikszentmihaly. Week 13: Genius and creativity. Weisberg, Gardner. Week 14: The brain and the creative process. Brain activity and associations to creative production. Left brain/right brain. Perspectives from cognitive neuroscience. C. Maxwell Cade. Wise. Week 15: Mental illness and creativity. Manic-depression (bipolar disorder) and unipolar depression and creativity. Jamison, Kavaler-Adler, etc. Other topics as they arise may also be included in our discussion. Course NPSY 2444 Date 15 sessions. From earliest times, dreams have been our attempt to make sense of our inner and outer worlds. We dream for many purposes--to resolve a problem, to gratify a wish, to relive an event, to give expression to our emotions. What all dreams have in common is the depth of their message, for dreams come from the most profound part of the self. In dreaming, we explore that mysterious part; we evolve and become. The class studies the history of dream theory, with a focus on 20th-century psychoanalytic theories of dream formation and analysis (Freud, Jung, Erikson, Kohut, etc.). We also explore the creative expression of the self through dream interpretation and work together on understanding ourselves and growing through our dreams. (3 credits) Class Overview: Welcome to this class on the Psychology of Dreams. In this class, we present and discuss the various theories of dream formulation and meaning. We explore the psychodynamic origins of modern dream theories, and proceed to the present biophysically based theories. Class Requirements: Because of the experiential nature of the learning in this class, students are expected to attend all classes. The New School adheres to a zero tolerance policy regarding absences and requires all credit students to attend all classes. Your grade will be affected if you are late or absent. Classes are largely lecture-format, but interactive with much class participation and discussion. There will be two major assignments throughout the semester, with other short written assignments. All work must be submitted, hard copy, in class unless other arrangements are made. YOUR GRADE will be determined as follows:
Assignments must be turned in on the due date, These dates will be announced at the beginning of the semester, All written assignments must be hard copy, typed and double-spaced. No e-mail submissions will be accepted. READINGS: Required Reading: Recommended Reading: WEEKLY OUTLINE: Specific pages to be read will be assigned the week before the date for class discussion. 1. Introduction to dream theory. Overview of the semester. Presentation of the history of dream analysis. Reading requirements. Techniques for remembering dreams. 2. Classical
dream concepts. The ground-breaking
work of Freud in the Analysis of Dreams. 3. Freud,
continued. Concepts of primary
process, drive theory, structural theory. 4. Carl Jung and his contributions to the theory of dreams. 5. Jungian
concepts, continued. Archetypes,
primary process, the collective unconscious. 6. Erik Erikson and the manifest dream. Discussion of the validity of the manifest content in dream analysis. 7. Content
analysis, themes, narrative, meaning of various symbols in
dreams. 8. Heinz
Kohut and the concept of the self-state dream. Analysis
of the self through dream symbols. MID-TERM PAPER DUE 9.
Trauma and dreams; nightmares. 10. The
repetitive dream; dream work, generally; grief and dreams,
creativity and dreams. 11.
Healing in Dreams. 12.
Lucid dreaming 13.
The physiology of the dream state. Latest findings
in physical research. The state of the brain
and the body in dreaming. 14.
Latest findings, continued. 15. Overview of class and review FINAL
PAPER DUE Dimensions of Narcissism Course NPSY Class Overview: The study of narcissism is of increasing interest to students of the human mind and personality. Current psychological theory recognizes the early life phase (the narcissistic phase) as being critical to the formation of the key components of the self. In this class, we learn about the dimensions of the self commonly known as the “narcissistic dimensions,” how they are formed, and the meaning of the part of the self in the overall healthy psychological functioning of the individual. Class requirements: Much of the important learning of this material takes place in the classroom. Therefore, students are expected to attend all classes. The New School adheres to a Zero Tolerance Policy regarding absences and requires all credit students to attend every class. Any unexplained absence will adversely affect your grade and will result in a lower grade. Your grade will be determined as follows: Assignments must be turned in on the due date. These dates will be announced at the beginning of the semester. All written assignments must be hard copy, typed and doubled spaced. No e-mail submissions will be accepted. READINGS: Required reading: Freud,
S. "On
Narcissism, Standard Edition, 7" Hogarth Press,
1953. Suggested Reading: Almaas,
AH "The Point of Existence" Diamond
Books, Berkeley, CA., 1996. WEEKLY OUTLINE: Specific pages to be read will be assigned the week before the date for class discussion.
MID-TERM PAPER DUE
FINAL PAPER DUE This applies to all classes: Plagiarism Incompletes Students with Disabilities
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